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My film archive digitally remastered for stock.

“A work in progress”… subscribe to see frequent updates

Mainly images shot with my Linhof Technorama, 6 x 17 cms transparencies. Digitally remastered for enhanced viewing.

An illustration for transport on the Dutch waterways, the car, bike and boat are on the boat plus freight.

A rather interesting set up showing landscape and transport in an area where the boats are locked in and lowered or raised to different water levels…

This image below is a remastered digital image. In Luminar I tweaked the contrast and structure and in D x O Nik Collection no 4 adjusted the intensities and colours, plus sharpness to my liking.

Benmorven Woolshed, historic farm building.

The landscape format is ideal almost 1:3, making visuals just wide enough to resemble our human “wide angle ” vision including the peripheral.
The landscape below was spectacular in life size, however compressed to a monitor 2028 pixels wide it lost a lot of impact, therefore a bit of retouching had to be done to make it more “visual”.

Tosca – Italy

A different image – thanks Adobe CC. Handcoloured? No. AI coloured…
Amazing.

Oops, a happy unforeseen coincidence on the bottom left. Was so busy framing the tower between the leaves of the tree that I did not notice this curious look. My black and white negative was taken years ago (see cars!) and scanned.
Adobe has this new neural filter which colorizes a b/w image, I am amazed at the quality… It makes a very good rendition and I am pleased. It creates that perfect nostalgic feel…

Stunning dunes surrounding a cluster of cabbage trees on a black vulcanic sandy beach at Manukau Heads, Auckland – New Zealand. Shot on Linhof Technorama 6×17, b/w Kodak 6415 film, developed in Pyro. Digitally remastered and digital coloured. It is so rewarding making images for the second time. Is this still photography? Shot about 25 years ago, re birthed today the 3rd of July 2021…

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Fleeting moments of brilliance

Light interference.

When film was king I made these refractions of light on a thin film of water, mixed with liquid soap.

The set up was tricky as my film of water was flat and I photographed it straight on. The light had to refract it to produce the colours, and the colour “scheme” depended on liquid density, temperature, air movement and light angle.

Enclosed are my scanned images of the films I shot.

A few were done on the 4×5 format, or 10x12cms, but because of the expense of sheetfilm I decided to use my Sinar Vario Zoom Roll Film Holder that uses 120 film to produce most shots.

At present scanning my archive, hence these images surfaced. It also posed an intriguing question – could I do this with my DSLR too? Working on that – see my next post to find out if I am succesful in a week or two.

Made a new set up with different parameters to suit my new studio. No more black walls floor and ceiling, it is all neutral light colours now.

The light is produced by a large flash light diffused by 3 mm translucent perspex; it reflects on the soapy film in front of it and behind the soapy film is a black background, but you can place out of focus reflections there too.undefined

This image above was solarised for fun in photoshop, but this is more what you can expect:

Placed something behind the film in front of the black background.
Introducing some air movement….
Colours are a little more intense after increasing hsl settings.
The possibilities are endless I used a gobo in the next shot:
Pity you can not project those colours…

But in photoshop you can project those colours….

Watch out for my next instalment….

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Square Gin

A square bottle to pour it from…

This image was made with a blue red polarizer,the bottle was green and the background was yellow…..

The bottle was backlit and assisted with a little light from underneath through the yellow background.

It was a very simple setup, after all you only had one square bottle to contend with and to apply many different light sources or angles would only confuse the issue.
The exposure was measured at aperture F-16, and that included a two stop allowance for the blue red polariser.
These combined dual coloured polarisers are underrated (IMHO), you can create some really excellent effects when you select the colours appropriately to the situation.
The bottle by itself is not enough, so I created a photograph of a droplet inside the bottle as I wanted to bring some interest and a focal point into this image.

Most people only look at a photograph for a couple seconds and I think you would not have yet noticed that the bottle cap was still on the bottle so the drop could not have fallen through the top. A minor oversight, but this was just a little exercise for me.

I was hoping to create some interesting lights and angles on this bottle but in the end the droplet created enough interest so I did not pursue any other lightsources.

Analyse…

Many photographs of the past are hidden in my filing cabinet.

A second look at them will provide different insights. Perhaps I reject them, perhaps they are worth another change to be exposed. If I do not do anything with them, they will be scrapped and or given to another medium like a museum for archival values. So I have another look and decide what to do.

Image is on your lightbox…. You are not emotionally bound at “the moment of capture”, that is long gone. You can now critically examine the image from a new perspective. You may have different experiences behind you, different outlook and different means of working with analogue material that may be able to put your existing material in a new light.

I say “may”. Some purists perhaps like to keep everything original. My mind has not got that purist attitude, everything is open to change.

So lets change it, here is an out take, a colour negative that I have remastered.

The original image never made it into a portfolio, but this remake is possibly another chance to be accepted. The digital changes made the image a little more edgy, it is hard to judge as I never had a print made from the negative.

Locked but not down…

As I have lots of film stock out of the analogue days, the current situation gives me freedom to explore existing images and rebirth them.

Fortunately the advanced scanning and image editing programs make it possible to achieve stunning results. Having invested in many programs to assist my students, followers and  clients to give them the best possible advice on how to get the most “mileage or benefit or emotional response” from images.

The cover image on top was a straight shot against a black background.
It took a while to find the right mixture and images to blend, but this combination is quite effective.

I used photoshop, DxO Nik effects, Smart photo editor and AutoFX.

Auto FX has recently launched a new software program with many features – AutoFX called GRFX Studio Pro. Very – very interesting. Shortly I will publish here a review about this, at present assessing the many different possibilities.

Check it out soon, contact me with questions.

Vanitas in my studio Yr 2020

A new project.

Started this in the “Lockdown” period and slowly making progress with the elements of it.

The props are the key element, and for those who are unfamiliar with “Vanitas” – here is a quick explanation:

Vanitas, (from Latin vanitas, “vanity”), in art, a genre of still-life painting that flourished in the Netherlands in the early 17th century. … The vanitas evolved from simple pictures of skulls and other symbols of death and transience frequently painted on the reverse sides of portraits during the late Renaissance.

Having acquired the props, I started and slowly it became obvious that lighting the set with a softbox did not do any justice to the topic.

Creating a painterly impression photographically was my goal. It had to look like a photo, depicting Vanitas.

Included are three images that are my starting point in this project.

Light painted with the hosemaster.
A slight change to create a different mood.
More painterly and or grungy.

So many possibilities, as I am developing this style I like to achieve an image that I feel very comfortable with. So far it is exploring how far I can push it, and of course comments are welcome.

Tech details: Light effex light gun with light modifier, Hosemaster without diffuser, and another light brush with focus snoot, all shot on individual layers highlighting each item. All layers processied in affinity photo or adobe photoshop.

Exposure times each layer 30 seconds, aperture F 22, Laewo Macro 2x, 100 mm lens.

There will be more images soon, this is an interesting project that has commercial possibilities for me.

Refreshing

Started a new project on “Behance”, – Smelly Bottles.

A “normal” (means flash) exposure was created to correctly expose the bottle and content. On top of the flash exposure I hand painted with a very small light probe the lettering on the front of the bottle.

That way the name “Yachtman” became readable, before it quite dark as the bottle was totally back lit. Reflectors placed tightly and carefully angled gave some reasonable roundness and detail to the top.

The top lid in action is the one chosen, it has more dynamics, although the shapes are more confusing.

Photographed on a classy glassy background, the blues were repeated to enhance volume and the “watery theme” – “Yachtman”.

Another bottle, this one encased in metal had some interesting angles to work with, so this image was more about reflections than refractions.

A bit boring and static this image, but the content is far better, so I gave it a boost…

Explosive smelly bottle...riverhead studios makes images in a different way
This is more to my liking, could not resist to make it more explosive…

Glass, the art of transparency

Shape and texture were important, this old bottle of kirsch just caught my imagination

Hand painted with my lightgun, edited in affinity photo and adobe photoshop. A bit sloppy, you can just see the flash meter’s outline, but it gives an almost textured effect so I left it in. The cherries are a stock image added.

More curves….

Sabatier effect is not that easy to recreate..

Here are some more samples of my efforts in reviving the sabatier effect.

Discovered that blending modes and layers can add a profound effect to it.

However  I like to stay a bit more true to the real process as it happened in the old analogue darkroom, but I am tempted… So these images are still based on the effect of tone reversal after re exposing the film during development.

woman-camera-0-xxRecovered

Not the best example, only found a low res image and it shows in the definition of the lines around the tripod and model.

Colour transparencies  with a few different tonal values are more fun to play with. It is not easy where you keep the original tones preserved. On purpose I do not show the original image, these “effects” could amuse or intrigue you…

sabatier

Found Agfa Contour negatives, but the effect is in this digital age kind of old hat – not that captivating, I think I’ll try first to get Sabatier under my control.

Any feedback is appreciated.